Maria Kerin(-Walsh), artist curator choregrapher.


Welcome to my blog. It introduces some of the processes and projects that I have been involved in recent years as an independent, rural based artist-curator and choreographer, working towards sustaining a slower rural based lifestyle, through creativity that also supports autonomy and self organisation within an inter-connective model of collaboration.

My movement-based arts practice provokes and informs a translocal artist-curatorial and choreographic practice, manifesting into peer to peer networks and systems to support collaborations presently in Ireland, Estonia and Sweden, in an interdisciplinary practice without borders.

I am particularly interested in deep listening, sensing time and opening up memories through awareness/presence as an embodied creativity process and ethical inquiry, informed through somatic principles that supports my practice concerned with our relationships with nature and consciousness. For example see blog page 'Post domestic: The future is the forest". Work with Kristina Kvamme, Sweden, since August 2019, in her walking practice that links through image and text live online on Fridays nourishes this. Ongoing explorations with Rachel Sweeney through Articulating Thresholds expands this inquiry.

Since 2018 I've been working on translocal, transdisciplinary collaborations in experimental heritage, with Professor Bodil Petersson of Linneaus University and members of Experimental Heritage network Sweden. This has led to us forming Karum-Creevagh, a group of artists, archaeologists and ecologists from Ireland and Sweden, concerned with our future.
See www.experimentalheritage.com for a detailed archive.

See Outrider Artists.wix.com for more info on local rural networks and cross-cultural sharing.
For other online images, see my kind partner Michael Walsh's documentation of my work:

https://issuu.com/michaelwalsh/docs/10_days_embodied_creative_process_d


https://issuu.com/michaelwalsh/docs/future_domestic_2013_visual_diary


https://www.youtube.com/watch?v=TSYpxRfzKp0&t=4s


Should you wish to contact me for more information please text 00353877711033 or email: kerinmaria@gmail.com
See www.thefloatingvillage.net for collaboration with Dr Rachel Sweeney as part of The Floating Village eco-somatic practice since 2019.

Monday, October 25, 2010

Participatory movement practice: Friendship - a sustainable model for interaction

Political HEARTworks
The heart piece in the river Inagh in Ennistymon resonates with us locally. We are interested in it as a site of contention and wanted to respond to this site though a participatory artwork. We took this opportunity to acknowledge friendship as a sustainable model of our interactive process,  as an integral part of the making of our work. The development of our art process practice has been constructed through friendship and we couldnt create without our friends involvement on many levels. So we invited 12 artist friends to partake in meditation led movement manifesting into performance with mobile phones, taking stills of the site and the movement generated over 3 days exploration.


Out of this process we gathered all the images that were taken in this unusual process- using the mobile phone as an embodied extension of the hand rather than the eye. Maeve and I created a work of photomontage for the Clare People, entitled political HEARTworks. A 2 page spread was printed on the 24th August 2010.

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