Maria Kerin(-Walsh), artist curator choregrapher.


Welcome to my blog. It introduces some of the processes and projects that I have been involved in recent years as an independent, rural based artist-curator and choreographer, working towards sustaining a slower rural based lifestyle, through creativity that also supports autonomy and self organisation within an inter-connective model of collaboration.

My movement-based arts practice provokes and informs a translocal artist-curatorial and choreographic practice, manifesting into peer to peer networks and systems to support collaborations presently in Ireland, Estonia and Sweden, in an interdisciplinary practice without borders.

I am particularly interested in deep listening, sensing time and opening up memories through awareness/presence as an embodied creativity process and ethical inquiry, informed through somatic principles that supports my practice concerned with our relationships with nature and consciousness. For example see blog page 'Post domestic: The future is the forest". Work with Kristina Kvamme, Sweden, since August 2019, in her walking practice that links through image and text live online on Fridays nourishes this. Ongoing explorations with Rachel Sweeney through Articulating Thresholds expands this inquiry.

Since 2018 I've been working on translocal, transdisciplinary collaborations in experimental heritage, with Professor Bodil Petersson of Linneaus University and members of Experimental Heritage network Sweden. This has led to us forming Karum-Creevagh, a group of artists, archaeologists and ecologists from Ireland and Sweden, concerned with our future.
See www.experimentalheritage.com for a detailed archive.

See Outrider Artists.wix.com for more info on local rural networks and cross-cultural sharing.
For other online images, see my kind partner Michael Walsh's documentation of my work:

https://issuu.com/michaelwalsh/docs/10_days_embodied_creative_process_d


https://issuu.com/michaelwalsh/docs/future_domestic_2013_visual_diary


https://www.youtube.com/watch?v=TSYpxRfzKp0&t=4s


Should you wish to contact me for more information please text 00353877711033 or email: kerinmaria@gmail.com
See www.thefloatingvillage.net for collaboration with Dr Rachel Sweeney as part of The Floating Village eco-somatic practice since 2019.

Tuesday, December 1, 2009

Temporary once-off performances

Croatia
Piece entitled Croatia developed in Nigal Rolfe’s 2 week workshop with the MA in Contemporary Dance Performance students, alumni graduates and Limerick College of Art students, week 2, January 2009. Sourced from a collaboration with Michael O’Brian, sculpture student, Maria Kerin went on to develop a solo piece using the materials: an old tyre and an old door. The piece was performed live with a video projection of the performance instantanously projected huge scale direcly on to the wall behind the performer to an audience in the Church gallery of Limerick College of Art and Design. 7 minutes long. Concept inspired by the childrens playground, the movement explored edges, balance and boundaries.


Kitchens 
Live stite specific performance piece developed in Nigal Rolfe’s workshop with the MA in Contemporary Dance Performance UL students, alumni graduates and Limerick College of Art Students week 1, November 2008.  This short performance piece lasting 5 minutes uses the sound of tearing kitchen magasine paper echoed in the hall, hidden from the audience and reveals slowly movement generated from the task of the body reaching out to its full stretch and trying to reach beyond, framing edges and marking boundaries.